![]() But the one thing that isn’t debatable: Record is Reason for sound.ĬDM was first with the official story from Propellerhead over the weekend, talking about the philosophy behind Record. Maybe you can call the results a DAW, if you really want to. (There’s also no MIDI out support, but if you’re looking to sequence external hardware, I might look elsewhere, anyway – especially with gems like Numerology out there.) Record also supports ReWire and has various export features, so the assumption is that – as with Reason – when you really want plug-ins, you can use your existing environment of choice. ![]() There’s no plug-in support, but by limiting use to the internal sound modules, Record is entirely agnostic about things like sample rate and can be far more flexible with modular audio routing and fluid tempo changes. Record focuses on sound, with a distinctive set of hardware-styled modules in a virtual rack. Reason has focused on synths, with a distinctive set of hardware-styled modules in a virtual rack. Record is a different animal: it’s a specialized tool focused on making music with audio, instead of a generalized tool. The “workstation” approach puts a whole bunch of functionality in one place, in particular adding features like plug-in hosting for supporting third-party effects and instruments, video editing and scoring, and music notation. ![]() ![]() What do you really want from a recording tool on a computer? The Digital Audio Workstation answer to that question has for years been on giving you a generalized set of tools that try to anticipate every possible need. ![]()
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